![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
Entry tags:
Friday Music IV
Vaguely themed around almosts and in-betweens:
Fool - bôa
The English band, not the Korean woman. It's probably unnecessary to explain why I identify so strongly with parts of this.
I was born and raised / As an eastern girl in a western world
Redwing - Hem
This one makes me think about the space between childhood and adolesence, for some reason.
But I don't want to still believe in / The gravity of solid ground
Good Bye, Good Luck - Nan Quan Mama
Mandarin. I have no idea what they're really singing about, but it feels like learning to let go.
Love The One You're With - Suemitsu and the Suemith
Japanese man with piano covers 1970s folk. And I really like it.
And if you can't be with the one you love / Honey, love the one you're with
Almost Lover - A Fine Frenzy
Sweet and wistful. Also, true.
Well, I'd never want to see you unhappy / I thought you'd want the same for me
Fool - bôa
The English band, not the Korean woman. It's probably unnecessary to explain why I identify so strongly with parts of this.
I was born and raised / As an eastern girl in a western world
Redwing - Hem
This one makes me think about the space between childhood and adolesence, for some reason.
But I don't want to still believe in / The gravity of solid ground
Good Bye, Good Luck - Nan Quan Mama
Mandarin. I have no idea what they're really singing about, but it feels like learning to let go.
Love The One You're With - Suemitsu and the Suemith
Japanese man with piano covers 1970s folk. And I really like it.
And if you can't be with the one you love / Honey, love the one you're with
Almost Lover - A Fine Frenzy
Sweet and wistful. Also, true.
Well, I'd never want to see you unhappy / I thought you'd want the same for me